Sunday, May 24, 2015

Bernard Shaky Knees


A few weeks back, I had the privilege of attending the Shaky Knees festival. Between May 8th and May 10th in Atlanta, 5 friends and I had the chance to see 20 bands and accidentally ended up dancing amongst 1000 laser rainbows in a gay bar. Midtown, ladies and gentlemen! 

Below, you'll see a day-by-day breakdown of the bands, sets, times and experiences. Think of this as a slightly more technical companion piece to Luka Tenderoni's running diary. Each set I saw more than 50% of (and in most cases 100%) includes a setlist (when it was available), time of day, review and ranking. As is the custom with this site, the ranking will be a combination of highly technical formulas aggregated together in a complex algorithm that arrives at a scale of 0 to 10 beers. Let's see em'!

DAY 1: Friday 5/8 - Heat Strokes and Wavves of Chafing

Surfer Blood
  1. Swim 
12:45 - The opening set of the entire festival was on the main stage and drew only a moderate crowd. I feel like these guys deserved better than the opening day slot on the only weekday of the festival. Having had their lead guitarist recently diagnosed with cancer, charges brought against the lead singer for domestic abuse (that were subsequently dropped) and most recently their van broken into (stolen items including a bunch of donations for the guitarists medical bills), this is a band that has had it's fair share of major struggles. Musically though, they sounded just great and any concerns about them not being able replicate their sound were eased by an excellent, albeit way too short, set. The harmonies were tight, the guitars jangly as could be and everything they played got the crowd moving. Festival sets are almost always too brief and leave the consumer wanting more, but for a band this good, it was downright criminal to only get 7 songs in the noonday sun. 

7.5 Beers (could have been higher but the set was over before I even had time to buy a second brew)
Black Pistol Fire
(No setlist available at this time)

1:00 - We walked up on these guys as we were exploring the rest of the festival. To Tenderoni's credit he has been telling us they would be a worthwhile viewing from the start. The monster Zepp riffs were siren-esque in their call to us and it was quickly clear this is the exact kind of act a festival is all about. Two dudes has the energy of 8 and the sound of 10. Soaring vocals, killer solos, bombastic drums and with the sugared up exuberance of all the attendees of a two year olds birthday party combined, these guys delivered. We didn't get to hear everything thanks to the proximity of a certain sponsored beverage tent luring us inside with challenges of agility, but I'm invested enough that I will be checking out more of what they have to offer. It's the kind of act where you go in not knowing anything and come out knowing that you'd go see them again in a heartbeat.

7.0 Beers (due to not knowing anything they were playing)
Tennis
2:30 - Originally settled on courtesy of the only member of our group who named after a state's, we all quickly became equally enamored by the shade the covered stage provided and the Jacque Costeau-esque plunging of the lead singers neckline. Bouncy interplay between the musicians, an obvious connection between the lead singer and guitarist (who as it turns out, are married) and sunny, shimmery tunes did enough to mask the Madonna I couldn't help but hear. In all truthfulness, I spent the majority of my time entranced by things other than the sounds emanating from the stage. Never disliked what I was hearing, but never found myself craving more. 

5.8 Beers (including an extra 2.5 beers for wardrobe)


                                                                        Wavves

  1. Bug 
3:15 - An act that I was truly looking forward to became my first major letdown. Nathan Williams has a reputation as being a possibly cantankerous weirdo who can derail a set as quickly with his antics as he can raise it up with his talents. I don't know if it was the sound or the players, but everything that manifested itself as urgent and heavy on record came out as chunky and muddled live. I still have faith in what he is doing, and he played a new track off the album supposedly coming out in the fall but on the whole I was markedly unimpressed. We ended up leaving before the conclusion of their hour to go get another beer, something I would not have done without being disappointed. 

3.5 Beers (when I truly expected this one to be closer to 7 or 8)

                                                                 Mac Demarco
  1. (Coldplay cover)
4:15 - Long time friend of the blog, Uncle Sauce, helped to hip me to Mr. Demarco this past summer. Based on the reaction of those who saw him strolling around during Surfer Blood's set and ran over to talk to him, the size of his crowd and the appreciation of those in attendance, he is going to be passed along to many-a-friend for a while to come. He presents himself with the calm, cool and collected lack of urgency that would get you on Fox News for buying crab legs with food stamps. Taking a little longer to get your guitar tuned than normal? How about the other guitarist does an impromptu cover of a Coldplay song. Need to remind everyone of where you are from? Throw in a one minute tease of the Chili Peppers "Californication". Everything sounded just as he looked; chill and yet in control. Prediction: Mac is back on the festival scene next year with a much better time slot.

7.7 Beers (bonus .5 points for being set up a stage where we could hear him from the shade of the beer tent)
Death From Above 1979
6:15 - Poor Luka. This was one of those bands he had been hyping up for a good long while, knowing that all he needed was a solid set to get us all on board. They had all the elements in place; killer energy, the same set-up as the already excellent Black Pistol Fire, and a devoted crowd that was there to watch them deliver. Sadly, they clearly hadn't rehearsed in a long while (and said as much), treating the crowd to what amounted to a glorified soundcheck sprinkled about with moderately to excellently entertaining stage banter. I don't know there music, but after getting a couple tracks for my radio show last week, I can see why they SHOULD have been great. Sadly, that wasn't meant to be and even Dr. L would have to admit as much. We left early and it was one of the only major mistakes we made when it came to schedule chess. 

2.4 Beers (and should have been so much better if they had possibly touched an instrument in the last two months)  
Pixies
  1. (aborted)
8:15 - After checking out Mastodon from a safe-distance half a mile away, we mosied on over to the Pixies set and planted ourselves squarely in the oldest looking crowd of the whole festival. Somewhat of a nostalgia act at this point in their career, using a faux Kim Deal and looking every bit like they've been around since I was a toddler, I must say I didn't go in expecting much. I was certainly pleasantly surprised though. They brought it. They sounded tight, crisp and relevant even as they had to abort one song and sidestep a few of their most well known tunes due to the lack of the backing vocalist on bass. Having never spent a great deal of time diving into their catalogue I came away from that show immediately knowing I was going to have to remedy that upon getting home. 

7.3 Beers (and surely would have been higher if I was a better fan) 
Strokes
Strokes
  1. 80's Comedown Machine - Intro 
  2. (Live Debut)
  3. (First time since 2004)
  4. Encore:
  5. (First time since 2010)
10:15 - Maybe it was a combination of being out in the sun for 8 hours drinking with having barely slept the night before. Perhaps it was due to the fact that the last time I had seen these guys I was still in college and they hadn't released Angles. Whatever the reason may be, I was looking forward to seeing them, but I wouldn't say overly stoked (stroked?). Within the first 15 seconds of "Reptilia", I realized what a mistake this had been. The crowd surged, Julian stalked the stage and the band tore into the song with such force it was hard not to be transported back to my frigid dorm room sophomore year. From there, it was one song after another that absolutely destroyed the crowd. There were 3 major surprises, including a live debut and a song not played in 11 years. Casablancas was reviewed by some as playful and engaging while those with me agreed he was more of a d-bag than ever, making it clear on multiple occasions that he would rather not be playing these songs. Foolishness of the frontman aside, the rest of the band was on point and for the first time in my life I realized just how freaking big the Strokes had become. They gave off the clearest "rock star" vibe of the whole weekend and I floated away from their set wishing they were playing as the headliner every single night. The best show of the festival was even cooler because all 6 of us experienced it in that perfect state of euphoria and awe. Whether it was watching the two younger chaps glance at each other in reverence after hearing a classic or me attempting to scale Mount Dank in pure joy upon realizing that "Welcome to Japan" was about to happen, it was one truly special moment after another. This is why people go to festivals. This is why you pay the money. This is what it's all about. 

10.8 Beers (conventional scoring could not stop this band, it could only hope to contain it)
DAY 2: Saturday 5/9 - Prime Real Estate and Woody Guthrie's Double Necked Guitar

Real Estate
  1. Easy 
2:45 - Day 2 kicked off at the same stage as the day before in a very similar fashion. We walked in at a leisurely pace, grabbed a brew for the same price as a used car and then waddled over (with my new best friend in tow: baby powder) to the sunny sounds of a California-sounding band doing what they do best. Knowing that they are actually from New Jersey is about as confusing as the sun was hot. Regardless, they put on the exact kind of set that I wanted and I came away feeling as pleased and content as one should from a band whose first two albums have been nothing but enjoyable. They are going to need to branch out away from the sound they have perfected on record if they want to get bigger, but live they stretch that sound out and it works even better than it does on wax. The grooves become somewhat hypnotic and the listener is lost within the waves of good vibes, nodding their head all the while. 

7.6 Beers (bonus points for playing "Talking Backwards" right after I said I wanted to hear it to Mr. Ifonia)
Devil Makes Three
(No setlist available at this time)

3:45 - If there has ever been a better picture to show you what a band sounded like than the one above, I'm not sure that it's been taken yet. Going on the recommendation of a few of the listeners to my weekly radio show, this NC based crew had all the style and substance of a group of whiskey swilling truckers rocking out with only one piece of a three piece suit. The tunes were mountain folk funky and my lack of XX Jug to blow on left me feeling left out. I would be all about having a hoe-down with these guys in a smaller venue and with the right crowd (and minus some truly brutal mid-day sun) I think I would enjoy the heck out of it if given another chance. As it is, I came away with a new band to download some music from and a fairly enjoyable experience trying to equate it to anything else I hear. 

4.8 Beers (minus 1 beer for the one I sweat out in the first 2 songs)

Built to Spill
  1. So 
4:45 - Having seen these guys a few times before, I knew exactly what I was in store for when I went. Douglas isn't the type of fella that seems to really worry about being constrained by time in any other setting, so why would he start caring now? That's how you only end up hearing 10 songs in an hour long set without anything more than a subtle "thanks" in between each song passing for stage banter. It's also how the band almost leaves even though they have 13 minutes left in their set, saving face by coming back to play a fan favorite and a classic cover. "Living Zoo" and "So" both sounded great, coming off the new Untethered Moon but I'll be the first to tell you I didn't need to hear a 11 minute "When I'm Blind" when that could have been umpteen hundred other classic BtS tunes. Thankfully that was the only hiccup of their set and they sounded just great. With a high powered (and higher in the mix) new rhythm section leading the way, the band whirled, swirled, twirled and downright used sorcery to weave their three guitar attack over, around and through their jaunty jams. This band truly thrives in a live setting and this here drone footage should give you a solid taste of what they bring to the table. Go see them.

8.6 Beers (would have been well over 9 if they could have sprinkled in anything else off You in Reverse)
Neutral Milk Hotel
5:45 - A lifeguard friend of mine from the past once handed me the most famous album of the famously reserved Jeff Mangum. They had a ton of build up around the album, people loved what they did and I played it once or twice and then it got lost in the shuffle of my CDs. That's about the same way I felt about their set here.  There was a HUGE crowd. As one can see by the photo above, they are a quirky looking band. There was a great deal of theremin. Personally I didn't really know what all the fuss was about. They sounded like a less-mythical storytelling Decemberists, minus the females and plus some butterflies. I was way far back, drinking and half paying attention. That should sum it up.

4.8 Beers (which is approximately how many we each consumed killing time during their set)
Wilco


Wilco
7:45 - I sat adjacent to the stage with Milky Chance playing for a good hour, chilling out and staking out a prime spot for Wilco. It was one of the only times throughout the weekend that I picked getting a better spot for a band I wanted to see over going and seeing some other act. I made the right call. Wilco is normally a band that stretches out their sets for hours, so limiting them to just and hour fifteen seems downright criminal. Wilco managed to make everything just fine though by skipping the normal low key few song warm up and blasting right off with 3 longer, jammier, rockers. Nels was at the top of his game, Tweedy had some classic dadrock stage chatter and the band sounded as tight and on point as ever. Much like the Strokes, it's easy to look at the most recent output of these guys as a sign that they have slipped. Clearly, after seeing them live, this is not the case. The crowd stuck around and begged for an encore to no avail. After seeing this and what came next, I'm fairly certain the organizers should have flip-flopped them and the Avett Bros so that Wilco became the headliner. Either way, this was a great show and one of my top 3 sets of the festival.

9.1 Beers (give them a headlining set and another half hour and you're approaching 10)

Avett Brothers


Avett Brothers
  1. (George Jones cover)
  2. (Doc Watson cover)
  3. Encore:
9:00 - I have nothing against these guys. In fact, I have been hearing about them and having people try to convince me to like them since the moment I moved down to NC. I even recently watched an episode of Austin City Limits with them on it where there were a few songs I downright really enjoyed. But, when it comes to being the headliner of a major music festival? I'm just not buying thats where these guys are at this stage in their career. I think they would have killed on a side stage as one of the bigger acts of the night but after seeing the dominance with which the Strokes pummeled the crowd the night before, the Avett Bros came out looking a little JV. I'm sure many there would disagree, but there was certainly a much smaller crowd and I didn't have any qualms when my crew decided to leave about 2/3 of the way through their set to go find some food. 

5.0 Beers (leaving them early did afford us some quality Asian cuisine so not all was lost)
DAY 3: Sunday 5/10 - Minus the Bear and Plus the Dogs

The Sheepdogs

(No setlist available at this time)

2:45 - This was another one that I was really looking forward to. After latching onto this band as they vaulted their way to the "Get on the Cover of Rolling Stone" contest a few years back, I have been avidly following their career and loving every second of their dirty, multiple guitar Southern Rock sound. They are cold weather band playing a warm weather sound. Their live shows were known to be rowdy drinking affairs in their native Canada but I was unsure of how that would translate when they were forced to be in a warm weather setting. Thankfully the loss of original lead guitarist Leot Hanson didn't leave the band lacking after adding in a new guitarist and Shamus Currie, younger brother of lead singer Ewan Currie on keys and trombone. Though the setlist isn't something I can track down, they sounded great, playing a few new songs and plenty of their older stuff as well. Thankfully they only did a few off their most recent Black Keys produced and aping major label release. The guitars were tight though and everything sounded just like I wanted it to, especially since we were able to get really close. It's always nice when a band can live up to your expectations live. 

8.1 Beers (with a special .7 beer bonus for the trombone solo)
   Best Coast
3:45 - In all honesty, these guys were playing on the stage behind the shady hill that we all sat on as we waited to go back out into the mind melting sun before Dr. Dog. They didn't have my full attention, or even my eyes for that matter, but they did manage to catch my ears a few times. They aren't a band I know that well and I don't think that I am even going to be coming home and checking them out that much, but they provided the exact kind of pleasant background music one would want as they sat on a dusty hill and awaited a band they wanted to see more. They are who I thought they were.

5.5 Beers (I have very little to add here)
 Dr. Dog
4:45 - I saw these guys about a year ago and came away a full fledged fanboy. Knowing that I was going to get a chance to see them again was one of many key factors in helping to get me to this festival. The sun was as bad as it was for any set all weekend and without the foresight of Tenderoni's gallon of water purchase, there is a good chance we go home with at least one less member following their tunes. Speaking of tunes, everything sounded wonderous. They opened with my favorite track and managed to make a few more vie for pole position after I got to hear them live. The only mistake they made was stretching out a spacey jam in the middle WAY too long and losing a large section of the crowd's attention. Not to say that couldn't work in a smaller, club setting, but for where they were and the audience they had, it was the wrong move. They rebounded nicely to close out their set but much like Built to Spill before them, they could have had a truly special collection if they have just taken out the long and weird and filled it with a few more familiar and fun. 

8.1 Beers (would have been closer to 9 without the long lost jam of time)
     Minus the Bear
  1. Menos el Oso
  2. Others
7:45 - After taking a rather lengthy dinner break and hearing Panda Bear while getting some coffee, I thought that I might have hit my tiredness breaking point. A long weekend of drinking and sun was finally catching up with me and as the crew and I leaned our backs against the stanchion by the stage waiting for Minus the Bear to come on I began to worry a little. I knew I was going to hear them play my favorite album front to back, but hadn't they just parted ways with their drummer, a hugely key part to their sound? And what if I was just too tired to get my energy up to enjoy what was certainly one of the main reasons I was excited to be in the ATL? Within the first few notes of "The Game Needed Me", all my concerns were put aside. The replacement drummer was totally on point, the band sounded fantastic and hearing everything in sequence off an absolutely monster album in my cadre did everything to lift my spirits and energy level to the exact place it needed to be. On top of that they came out for an encore and did a few more tunes, including 2 beasts off of my other favorite album of theirs. On top of everything else, we got to stand 2nd row, making the experience that much more enjoyable.

9.4 Beers (minus the bears, plus the beers)


Tame Impala


Tame Impala
  1. Encore:
9:00 - Closing out this wondrous run was the Australian lads without shoes. Rocking a combination of Pink Floyd and about 30 other bands, they brought the event to an end with a really solid, trippy, mind melty collection of extraterrestrial jams. I didn't know their work all that well before hearing them live, but they put on the exact kind of late night show you want when the sun goes down and the alcohol goes up. The crowd seemed to really be into it and the band even came back out for an "unplanned" encore which in reality seemed sincere. I was almost hitting the point of pure exhaustion before they finally played their last note, but that would be about my only complaint. Since getting home I've gone back and spent a great deal more time listening to their work and I think that will be business as usual from here on out.

7.8 Beers (give me another year to digest and understand them and this is on the rise)



Shaky Knees did great things. The festival itself was truly perfect. Being someone who has been lucky enough to go to Coachella, Lollapalooza, Hopscotch and a few other, smaller ones, the organizers did an absolutely incredible job of making it seem like it was huge and small at the same time. I never had to be far away from a band, unless I chose to be. The acts were spaced beautifully and having two sets of parallel stages led to almost zero lag time between acts. The lines were never long for beverage or restroom and the crowd was as chill as I have ever seen. Even though everyone was drinking and carrying about like normal I didn't see a single altercation, fight, arrest or puke. That's remarkable considering most weekends you can't make it out of one bar without seeing all 4 of those. Kudos to all involved. Our only concern is something Luka brought up; what if this year was the tipping point? There is no way they can keep this hidden if the product keeps being this good. It's bound to explode and then turn into the corporate mess that others have become. I certainly hope this doesn't happen, but if it does, I'll be happy to tell my grandchildren that I was there at the apex.