Monday, January 18, 2021

2020 Murn: On Second Thought...

Like my man Melse, the pandemic should have awarded me more time to pour over new music and have a top 40 list. For many reasons, that did not happen. Nevertheless, I feel strongly about the 16 that I did get a chance to explore. My taste is a bit eclectic, but you can always count on some soulful funky joints making the top 10. Without further ado:


















16) Pearl Jam – Gigaton

This album is the reason why I extended the list to 16. I couldn’t in good conscience, leave PJ off a list. Even if they made a departure album where Jeff and Stone shared lead vocals, and Ed just played backing ukulele. With that being said, this album is ranked so low for a reason. When I heard "Dance Of The Clairvoyants" for the first time, I was so chubbed up. They were taking a right turn and were just making this type of record. Big divergence, but I was onboard. The drum track, the David Byrne inspired vocals… The next song I heard was "Quick Escape". Again, different from typical PJ. I was still on board. Then I heard "Superblood Wolfmoon", and I started scratching my head. It made me think of their song "Johnny Guitar", which is a song I despise. From there on, it was just a bunch of forgettable songs that didn’t grab me at all. I know they are aging and not every album can be stellar, but I needed more than two solid songs to advance them any higher on the list.












15) Sturgill Simpson – Cuttin’ Grass – Vol. 1

This is not new material by him per se, but whatever. This is my list. The bluegrass renditions of his previously released songs just put a smile on my face. Many days while scooping cat shit in the basement, I'd pop this on and just forget where I was and what I was doing.











13) The Texas Gentlemen – Floor It!!!

I love the vibe of these guys. This album seems scattered and all over the place. Some odd carnival fillers, jammy instrumentals, and vocals that remind me of a mix of Little Feat + Sheepdogs + Black Keys (See the song "Ain’t Nothin’ New"). You would think that would be enough to be a top 3 album based on that description alone. The highs of this album weren’t enough to even out the filler.











14) Dawes – Good Luck With Whatever

Another band I love but feel like missed the mark. I needed more to rank this album higher than just saying, “Well it's better than Passwords…”. It does jam harder than the aforementioned, but listening to “Still Feel Like A Kid” felt like a dead fish. Where is the emotion? Where is the jamming out and harmonies? This is a neutered dad version of what I loved. Chalk it up to them evolving and growing up, I guess. Marriage and fatherhood don’t provide the same creative juices. I like juice, and I like enthusiasm. This album was caught between the zero and the one.



12) The Killers – Imploding The Mirage

I'll keep this review short. The Killers have a recipe that works for them. The lyrics seem more introspective and less about killing a girl named Jenny. I did notice that they borrowed a book from the Adam Granduciel library. That’s Ok. There are worse artists to emulate.












11) Sylvan Esso – Free Love

This is an odd one for me. She is the equivalent of a female Justin Vernon. That means I’ll probably hate everything else that she puts out. But like Bon Iver so I’ll allow my inner sock hat-wearing self to enjoy this for now. Amelia Meath does have a cool voice though. The songs have enough computer bop to make it work for me. She has the Lauren Mayberry of Chvrches effect on my brain. Just does something to me.












10) Izaak Opatz – Hot & Heavy-Handed

This was a recommendation from Apple. I’ll always have a soft spot for 80’s/90’s country. This Christian bullshit nowadays being sung by dudes name Bryson is bad for everyone. This album has all of the old school country topics you’d expect. Except this has just enough rock feel to bridge the gap from days of Alan Jackson.


9) Rolling Blackouts Coastal Fever - Sideways To New Italy

Charging yet melodic. This just rolls along with great riffs and great vocals. You won't get deep lyrics, but if you want to wax your surfboard… This was my entry point to this band after hearing about them from Melse & Ironfish. 












8) John Legend – Bigger Love

Who doesn’t like John Legend? The guy has more Grammys than I have digits. It's nice to see him continuing to make soulful music without featuring new age idiot rappers that completely ruin what would have been a perfectly good song. Good on you. Although this isn’t a Kanye production, it is still a solid album. One that I’m listening to as I type and realizing I could have ranked higher… But at some point, you have to lock it down. Gary Clark Jr. is featured on a track and it is boner inducing.












7) Curren$y & Harry Fraud - The Out Runners

Just like my love of country music of old, I try to keep an ear out for hip hop that still has that certain thing. Curren$y is a southern rapper that was actually part of No Limit Records back in the day. I hated No Limit just as much as Cash Money. Then why did Curren$y make the list? It’s because him mixed with producer Harry Fraud is a perfect matchup. Curren$y has that lazy southern flow that is way smarter than his peers. Fraud’s beats are the perfect vehicle for that slower flow. Saxophone and violin over soul samples done in such a seamless way. I’ve always been into following hip hop producers and knowing their trademarked sound. Fraud is up there with Kanye, Primo, and The Alchemist. That’s not hyperbole.












6) Two Another - Two Sides

This group made my list in 2018 with their album Another Tape. This album is even better. This producer and singer combo make some soulful music that you can just pop on and let rip all the way through. Pour some wine, close the blinds, and set the mood for your lady.












5) My Morning Jacket - The Waterfall II

These definitely sound like tracks that didn’t make original Waterfall for the most part. But, MMJ on a “down” note is usually better than many at their peak. You are still going to get top-notch existential writing and superb musicianship. Yeah, so what that some of the songs don’t grab me like ones on the previous album? I’m OK with that. This album does have the song “Feel You”, which might be my favorite song of theirs, period. So, it all balances out in my mind. It took a while for MMJ to sink into my veins, and I’m not jumping off this ship anytime soon.


4) Black Pumas - Black Pumas

Hey, can I have a tad bit rawer and more soulful version of St. Paul and the Broken Bones? Of course, you can. Can you also make the lead singer sound like Michael Kiwanuka? Coming right up. Solid album from beginning to end. Is it super deep, lyric-wise? Not exactly. And that’s the main reason I don’t have it higher on the list. Now I’m just nitpicking.






3) Mayor Hawthorne - Rare Changes

This album is kind of a cheat. It is a compilation of the singles he dribbled out to the public in 2020. A smart ploy by the way. Most people just care about songs rather than albums. So, why not just keep the dopamine hits coming over the span of a year? This is a new and improved Hawthorne. He has always been solid, but the production quality and crispness of these songs raise the bar for sure. Soulful music is my wheelhouse. And nothing says soulful like a scrawny Jewish kid from Ann Arbor, Michigan.


2) Peach Pit - You And Your Friends

The biggest surprise on my list. This group popped up in our music chat and I kept telling myself that I’d get around to it. So, there might be some recency bias here. So, what. Lead singer Neil Smith’s slightly distorted vocals have that certain feel to it that makes me compare him to White Denim’s James Petralli. Peach Pit’s lyrics and vibe are a bit strange, but it offsets perfectly against melodic vocals and a sound that is reminiscent of LCD Soundsystem on heavy benzodiazepines. Check out the song "Shampoo Bottles". Yeah, just one random song to point out in this whole list. That’s right.


1) Bahamas - Sad Hunk

There are a handful of celebrities that I’ve come across that I would (have) really like(d) to hang out with; Anthony Bourdain, Steve Irwin, Pete Nelson (of Treehouse Masters), and Phil Rosenthal (producer of Everybody Loves Raymond) are at the top of my list for varying reasons. The newest member of that prestigious club is Afie Jurvanen. Charisma. Some people just have it. What he also has, is the ability to make a no-frills record that is perfect for the time period it was released. I feel this is his most self-reflective work to date. It’s done in his typical self-deprecating way, which makes it even better. This album deals with getting older and wiser. A topic that resonates with me at this current point in my life.

 


Sunday, January 3, 2021

2020 Melse: It Could Have Been Better...

Well, there isn't much to say about the year that hasn't already been said, but for me personally, it definitely took its toll on my music consumption.  With that said, I was still able to get a preliminary list of 24 albums I enjoyed enough to jot down, and here are my top 15 plus a few honorable mentions.  Interesting note:  4 bands that previously made albums that I had as my album of the year put out releases this year and NONE made it higher than number 8!  That's both depressing and exciting that I found better shit.  Onto the goods...

Honorable Mentions:

My Morning Jacket - The Waterfall II

Peach Pit - You & Your Friends

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The best of 2020:

15. Real Estate - The Main Thing

An indie rock band that’s been going for more than 10 years finally made something that hit me hard with 2017’s In Mind (my album of the year) because it was catchy and poppy but also sort of dark and cool and even a little psych-y, with some great guitar work.  This one mostly goes back to the older formula, with a pinch of In Mind, and it doesn’t nearly hit as hard for me.  I still enjoyed it, but I’m certain if In Mind didn’t exist I would’ve blown right by it. 

14. Gum - Out in the World

Jay Watson is like Ty Segall light in the sense that nary a year goes by that he isn’t releasing music.  Long since separating himself from Kevin Parker in almost all recording/songwriting endeavors (they’re still butt buddies), his sound is still borne of that classic Tame Impala vibe.  It seems like every other album he makes, whether it be from POND or GUM, really hits me in the right zone.  This is one of them.  It’s very catchy in all the right synth-psych ways.

13. Car Seat Headrest - Making a Door Less Open

As is the case with any CSH release, there are about 134 different genres and different styles wedged into any given album.  Here, Will Toledo and Company continue that trend.  The album lacks cohesiveness in my opinion, but broken down song by song it’s really great.  Their last album, 2018’s Twin Fantasy, was largely a let down so it’s nice to see a rebound here.  There’s a lot of electronica-esque stuff with enough guitar to satisfy.  I can’t help but notice every time I listen to this how much he sounds like Beck.


12. Kevin Krauter - Full Hand

My taste for the occasional shoegaze offering is common knowledge at this point and this is the latest installment.  Some admittedly rough vocals are laid over some very good musical arrangements, sometimes synthy and sometimes guitar-driven but always catchy and warm.  Some albums sound better with certain weather and this one pairs nicely with full sun.


11. Trace Mountains - Lost in the Country

A pure indie rock album if I ever did hear one, this thing runs uptempo-ish songs with borderline emo vocals and some catchy ass guitar at all the right times.  Released during my work-related stress peak, I probably didn’t properly appreciate this and maybe still don’t, but it’s really great front to back. 


10. White Denim - World as a Waiting Room

One of my favorite all-time bands embarked on quite the endeavor:  write, record, mix, produce, and release an album in just 30 days during the quarantine.  The result is good, not great.  This is easily the worst album they’ve released out of the last 6 but I still enjoyed it enough to include it here; a significant accomplishment considering the self-imposed challenge.  


9. Bahamas - Sad Hunk

Afie is back with another great album.  I really wish he’d lean more on his (excellent) guitar skills eventually but for now, I’ll have to settle for his songwriting.  It’s all so introspective and personal, relying very much on his vocals with instrumentation taking a slight step to the background frequently.  I really feel like I just took a long car ride and heard about his life, but not in a bad way. 


8. Tame Impala - The Slow Rush

I enjoy this album quite a bit but it’s easily my least favorite of his 4. Album #3, Currents, was my album of the year in 2015.  It was a significant departure from the earlier guitar-driven psych-rock sound that I LOVED, mixing in a really trippy psych-pop/electronica element.  The Slow Rush is even deeper in that vein but it comes off feeling watered down.  Here’s to hoping there’s another level coming...


7. Brendan Benson - Dear Life

Wow, what an upset!  After making some truly great stuff early in his career, as well as two excellent Raconteurs albums, he sort of fizzled out with his last few releases and then literally released nothing for 6 years.  Maybe the Raconteurs' comeback energized him because he followed that up with his first solo album in 7 years and it is quite good!  Not on the same level, in my opinion, as his early stuff but very, very close.  Every year something unexpected comes along for me musically and this year, it's Dear Life


6. Rolling Blackouts Coastal Fever - Sideways to New Italy

This is more or less a sequel to 2018’s Hope Downs, which was also featured on my list.  Uptempo guitar-driven rock with catchy vocals.  Riffy as all hell with timely solos.  A true head-nodder. 


5. Mayer Hawthorne - Rare Changes

My favorite R&B/retro soul singer is back with his first album since 2016’s Man About Town.  That one landed in my top 10 and now here we are again.  He’s taken the falsetto soul thing and wannabe-Jimmy-Conway appearance to another level in recent years and I couldn’t be a bigger fan. Most striking to me is how far his voice has come.  Way back when he couldn’t really sing and got by on swagger and uniqueness.  He sounds legitimately great now.   I’ve been enjoying these songs all year, as he released them all individually, but now as a collection and a formal album they can be properly ranked.


4. Mamalarky - Mamalarky

This is one of my favorite discoveries this year.  A pure indie-pop group with a trippy female vocalist and probably an even 50/50 split on synthy pop songs and straight-up guitar-driven goodness.  I’ve been describing them as Crumb if they didn’t smoke as much weed.  This is a very special catchy ass album; highly recommended. 


3. Cafe Racer - Shadow Talk

This album is supperrrrr, super good.   Just some real trippy fuzzed-out rock meant to be played in a dark room high as hell on weed.  If you aren’t nodding your head 30 seconds into the first song I’m worried for you.  Guitar driven psychedelia is my personal honey hole and that is exactly where this lands.  I imagine these guys play every live show at 3am with sunglasses on.


2. Country Westerns - Country Westerns

Oh shit, this one hit me really good too.  I somehow missed that Jake suggested it, discovered it on my own, had that “holy shit the boys are gonna love this!” moment, and then my proudness was crushed into smithereens.  No matter, the end result is that we have it!  Just some sludgy ass rock-n-roll with the most unique voice leading the way (Joel Plunkett). I have particular respect for 3 piece bands because it means someone is really doing a lot of heavy lifting with the vocals plus whatever else they're responsible for. If Cafe Racer is the headlining band coming on at 3am, Country Westerns are the opener at 1:30 in the same dark small ass bar.  


1. Kyle Forester - Hearts in Gardens

This top 5 is really crossing off all my personal musical boxes.  Let's see...we hit pop psychedelia, sludgy garage rock, r&b/soul, hmmm what else?? Ahhhh yes, we didn't include a solo singer-songwriter yet.  And here we are at my album of the year.  A Murn recommendation, this thing is stellar as hell.  Tempo changes, mood changes, style changes, lots of fitting-but-not-overbearing guitar work, and some catchy vocals make the perfect stew for my ears.  I played this on repeat for quite a while and re-listening now to write this it hits just as hard.