Sunday, May 24, 2015

Bernard Shaky Knees


A few weeks back, I had the privilege of attending the Shaky Knees festival. Between May 8th and May 10th in Atlanta, 5 friends and I had the chance to see 20 bands and accidentally ended up dancing amongst 1000 laser rainbows in a gay bar. Midtown, ladies and gentlemen! 

Below, you'll see a day-by-day breakdown of the bands, sets, times and experiences. Think of this as a slightly more technical companion piece to Luka Tenderoni's running diary. Each set I saw more than 50% of (and in most cases 100%) includes a setlist (when it was available), time of day, review and ranking. As is the custom with this site, the ranking will be a combination of highly technical formulas aggregated together in a complex algorithm that arrives at a scale of 0 to 10 beers. Let's see em'!

DAY 1: Friday 5/8 - Heat Strokes and Wavves of Chafing

Surfer Blood
  1. Swim 
12:45 - The opening set of the entire festival was on the main stage and drew only a moderate crowd. I feel like these guys deserved better than the opening day slot on the only weekday of the festival. Having had their lead guitarist recently diagnosed with cancer, charges brought against the lead singer for domestic abuse (that were subsequently dropped) and most recently their van broken into (stolen items including a bunch of donations for the guitarists medical bills), this is a band that has had it's fair share of major struggles. Musically though, they sounded just great and any concerns about them not being able replicate their sound were eased by an excellent, albeit way too short, set. The harmonies were tight, the guitars jangly as could be and everything they played got the crowd moving. Festival sets are almost always too brief and leave the consumer wanting more, but for a band this good, it was downright criminal to only get 7 songs in the noonday sun. 

7.5 Beers (could have been higher but the set was over before I even had time to buy a second brew)
Black Pistol Fire
(No setlist available at this time)

1:00 - We walked up on these guys as we were exploring the rest of the festival. To Tenderoni's credit he has been telling us they would be a worthwhile viewing from the start. The monster Zepp riffs were siren-esque in their call to us and it was quickly clear this is the exact kind of act a festival is all about. Two dudes has the energy of 8 and the sound of 10. Soaring vocals, killer solos, bombastic drums and with the sugared up exuberance of all the attendees of a two year olds birthday party combined, these guys delivered. We didn't get to hear everything thanks to the proximity of a certain sponsored beverage tent luring us inside with challenges of agility, but I'm invested enough that I will be checking out more of what they have to offer. It's the kind of act where you go in not knowing anything and come out knowing that you'd go see them again in a heartbeat.

7.0 Beers (due to not knowing anything they were playing)
Tennis
2:30 - Originally settled on courtesy of the only member of our group who named after a state's, we all quickly became equally enamored by the shade the covered stage provided and the Jacque Costeau-esque plunging of the lead singers neckline. Bouncy interplay between the musicians, an obvious connection between the lead singer and guitarist (who as it turns out, are married) and sunny, shimmery tunes did enough to mask the Madonna I couldn't help but hear. In all truthfulness, I spent the majority of my time entranced by things other than the sounds emanating from the stage. Never disliked what I was hearing, but never found myself craving more. 

5.8 Beers (including an extra 2.5 beers for wardrobe)


                                                                        Wavves

  1. Bug 
3:15 - An act that I was truly looking forward to became my first major letdown. Nathan Williams has a reputation as being a possibly cantankerous weirdo who can derail a set as quickly with his antics as he can raise it up with his talents. I don't know if it was the sound or the players, but everything that manifested itself as urgent and heavy on record came out as chunky and muddled live. I still have faith in what he is doing, and he played a new track off the album supposedly coming out in the fall but on the whole I was markedly unimpressed. We ended up leaving before the conclusion of their hour to go get another beer, something I would not have done without being disappointed. 

3.5 Beers (when I truly expected this one to be closer to 7 or 8)

                                                                 Mac Demarco
  1. (Coldplay cover)
4:15 - Long time friend of the blog, Uncle Sauce, helped to hip me to Mr. Demarco this past summer. Based on the reaction of those who saw him strolling around during Surfer Blood's set and ran over to talk to him, the size of his crowd and the appreciation of those in attendance, he is going to be passed along to many-a-friend for a while to come. He presents himself with the calm, cool and collected lack of urgency that would get you on Fox News for buying crab legs with food stamps. Taking a little longer to get your guitar tuned than normal? How about the other guitarist does an impromptu cover of a Coldplay song. Need to remind everyone of where you are from? Throw in a one minute tease of the Chili Peppers "Californication". Everything sounded just as he looked; chill and yet in control. Prediction: Mac is back on the festival scene next year with a much better time slot.

7.7 Beers (bonus .5 points for being set up a stage where we could hear him from the shade of the beer tent)
Death From Above 1979
6:15 - Poor Luka. This was one of those bands he had been hyping up for a good long while, knowing that all he needed was a solid set to get us all on board. They had all the elements in place; killer energy, the same set-up as the already excellent Black Pistol Fire, and a devoted crowd that was there to watch them deliver. Sadly, they clearly hadn't rehearsed in a long while (and said as much), treating the crowd to what amounted to a glorified soundcheck sprinkled about with moderately to excellently entertaining stage banter. I don't know there music, but after getting a couple tracks for my radio show last week, I can see why they SHOULD have been great. Sadly, that wasn't meant to be and even Dr. L would have to admit as much. We left early and it was one of the only major mistakes we made when it came to schedule chess. 

2.4 Beers (and should have been so much better if they had possibly touched an instrument in the last two months)  
Pixies
  1. (aborted)
8:15 - After checking out Mastodon from a safe-distance half a mile away, we mosied on over to the Pixies set and planted ourselves squarely in the oldest looking crowd of the whole festival. Somewhat of a nostalgia act at this point in their career, using a faux Kim Deal and looking every bit like they've been around since I was a toddler, I must say I didn't go in expecting much. I was certainly pleasantly surprised though. They brought it. They sounded tight, crisp and relevant even as they had to abort one song and sidestep a few of their most well known tunes due to the lack of the backing vocalist on bass. Having never spent a great deal of time diving into their catalogue I came away from that show immediately knowing I was going to have to remedy that upon getting home. 

7.3 Beers (and surely would have been higher if I was a better fan) 
Strokes
Strokes
  1. 80's Comedown Machine - Intro 
  2. (Live Debut)
  3. (First time since 2004)
  4. Encore:
  5. (First time since 2010)
10:15 - Maybe it was a combination of being out in the sun for 8 hours drinking with having barely slept the night before. Perhaps it was due to the fact that the last time I had seen these guys I was still in college and they hadn't released Angles. Whatever the reason may be, I was looking forward to seeing them, but I wouldn't say overly stoked (stroked?). Within the first 15 seconds of "Reptilia", I realized what a mistake this had been. The crowd surged, Julian stalked the stage and the band tore into the song with such force it was hard not to be transported back to my frigid dorm room sophomore year. From there, it was one song after another that absolutely destroyed the crowd. There were 3 major surprises, including a live debut and a song not played in 11 years. Casablancas was reviewed by some as playful and engaging while those with me agreed he was more of a d-bag than ever, making it clear on multiple occasions that he would rather not be playing these songs. Foolishness of the frontman aside, the rest of the band was on point and for the first time in my life I realized just how freaking big the Strokes had become. They gave off the clearest "rock star" vibe of the whole weekend and I floated away from their set wishing they were playing as the headliner every single night. The best show of the festival was even cooler because all 6 of us experienced it in that perfect state of euphoria and awe. Whether it was watching the two younger chaps glance at each other in reverence after hearing a classic or me attempting to scale Mount Dank in pure joy upon realizing that "Welcome to Japan" was about to happen, it was one truly special moment after another. This is why people go to festivals. This is why you pay the money. This is what it's all about. 

10.8 Beers (conventional scoring could not stop this band, it could only hope to contain it)
DAY 2: Saturday 5/9 - Prime Real Estate and Woody Guthrie's Double Necked Guitar

Real Estate
  1. Easy 
2:45 - Day 2 kicked off at the same stage as the day before in a very similar fashion. We walked in at a leisurely pace, grabbed a brew for the same price as a used car and then waddled over (with my new best friend in tow: baby powder) to the sunny sounds of a California-sounding band doing what they do best. Knowing that they are actually from New Jersey is about as confusing as the sun was hot. Regardless, they put on the exact kind of set that I wanted and I came away feeling as pleased and content as one should from a band whose first two albums have been nothing but enjoyable. They are going to need to branch out away from the sound they have perfected on record if they want to get bigger, but live they stretch that sound out and it works even better than it does on wax. The grooves become somewhat hypnotic and the listener is lost within the waves of good vibes, nodding their head all the while. 

7.6 Beers (bonus points for playing "Talking Backwards" right after I said I wanted to hear it to Mr. Ifonia)
Devil Makes Three
(No setlist available at this time)

3:45 - If there has ever been a better picture to show you what a band sounded like than the one above, I'm not sure that it's been taken yet. Going on the recommendation of a few of the listeners to my weekly radio show, this NC based crew had all the style and substance of a group of whiskey swilling truckers rocking out with only one piece of a three piece suit. The tunes were mountain folk funky and my lack of XX Jug to blow on left me feeling left out. I would be all about having a hoe-down with these guys in a smaller venue and with the right crowd (and minus some truly brutal mid-day sun) I think I would enjoy the heck out of it if given another chance. As it is, I came away with a new band to download some music from and a fairly enjoyable experience trying to equate it to anything else I hear. 

4.8 Beers (minus 1 beer for the one I sweat out in the first 2 songs)

Built to Spill
  1. So 
4:45 - Having seen these guys a few times before, I knew exactly what I was in store for when I went. Douglas isn't the type of fella that seems to really worry about being constrained by time in any other setting, so why would he start caring now? That's how you only end up hearing 10 songs in an hour long set without anything more than a subtle "thanks" in between each song passing for stage banter. It's also how the band almost leaves even though they have 13 minutes left in their set, saving face by coming back to play a fan favorite and a classic cover. "Living Zoo" and "So" both sounded great, coming off the new Untethered Moon but I'll be the first to tell you I didn't need to hear a 11 minute "When I'm Blind" when that could have been umpteen hundred other classic BtS tunes. Thankfully that was the only hiccup of their set and they sounded just great. With a high powered (and higher in the mix) new rhythm section leading the way, the band whirled, swirled, twirled and downright used sorcery to weave their three guitar attack over, around and through their jaunty jams. This band truly thrives in a live setting and this here drone footage should give you a solid taste of what they bring to the table. Go see them.

8.6 Beers (would have been well over 9 if they could have sprinkled in anything else off You in Reverse)
Neutral Milk Hotel
5:45 - A lifeguard friend of mine from the past once handed me the most famous album of the famously reserved Jeff Mangum. They had a ton of build up around the album, people loved what they did and I played it once or twice and then it got lost in the shuffle of my CDs. That's about the same way I felt about their set here.  There was a HUGE crowd. As one can see by the photo above, they are a quirky looking band. There was a great deal of theremin. Personally I didn't really know what all the fuss was about. They sounded like a less-mythical storytelling Decemberists, minus the females and plus some butterflies. I was way far back, drinking and half paying attention. That should sum it up.

4.8 Beers (which is approximately how many we each consumed killing time during their set)
Wilco


Wilco
7:45 - I sat adjacent to the stage with Milky Chance playing for a good hour, chilling out and staking out a prime spot for Wilco. It was one of the only times throughout the weekend that I picked getting a better spot for a band I wanted to see over going and seeing some other act. I made the right call. Wilco is normally a band that stretches out their sets for hours, so limiting them to just and hour fifteen seems downright criminal. Wilco managed to make everything just fine though by skipping the normal low key few song warm up and blasting right off with 3 longer, jammier, rockers. Nels was at the top of his game, Tweedy had some classic dadrock stage chatter and the band sounded as tight and on point as ever. Much like the Strokes, it's easy to look at the most recent output of these guys as a sign that they have slipped. Clearly, after seeing them live, this is not the case. The crowd stuck around and begged for an encore to no avail. After seeing this and what came next, I'm fairly certain the organizers should have flip-flopped them and the Avett Bros so that Wilco became the headliner. Either way, this was a great show and one of my top 3 sets of the festival.

9.1 Beers (give them a headlining set and another half hour and you're approaching 10)

Avett Brothers


Avett Brothers
  1. (George Jones cover)
  2. (Doc Watson cover)
  3. Encore:
9:00 - I have nothing against these guys. In fact, I have been hearing about them and having people try to convince me to like them since the moment I moved down to NC. I even recently watched an episode of Austin City Limits with them on it where there were a few songs I downright really enjoyed. But, when it comes to being the headliner of a major music festival? I'm just not buying thats where these guys are at this stage in their career. I think they would have killed on a side stage as one of the bigger acts of the night but after seeing the dominance with which the Strokes pummeled the crowd the night before, the Avett Bros came out looking a little JV. I'm sure many there would disagree, but there was certainly a much smaller crowd and I didn't have any qualms when my crew decided to leave about 2/3 of the way through their set to go find some food. 

5.0 Beers (leaving them early did afford us some quality Asian cuisine so not all was lost)
DAY 3: Sunday 5/10 - Minus the Bear and Plus the Dogs

The Sheepdogs

(No setlist available at this time)

2:45 - This was another one that I was really looking forward to. After latching onto this band as they vaulted their way to the "Get on the Cover of Rolling Stone" contest a few years back, I have been avidly following their career and loving every second of their dirty, multiple guitar Southern Rock sound. They are cold weather band playing a warm weather sound. Their live shows were known to be rowdy drinking affairs in their native Canada but I was unsure of how that would translate when they were forced to be in a warm weather setting. Thankfully the loss of original lead guitarist Leot Hanson didn't leave the band lacking after adding in a new guitarist and Shamus Currie, younger brother of lead singer Ewan Currie on keys and trombone. Though the setlist isn't something I can track down, they sounded great, playing a few new songs and plenty of their older stuff as well. Thankfully they only did a few off their most recent Black Keys produced and aping major label release. The guitars were tight though and everything sounded just like I wanted it to, especially since we were able to get really close. It's always nice when a band can live up to your expectations live. 

8.1 Beers (with a special .7 beer bonus for the trombone solo)
   Best Coast
3:45 - In all honesty, these guys were playing on the stage behind the shady hill that we all sat on as we waited to go back out into the mind melting sun before Dr. Dog. They didn't have my full attention, or even my eyes for that matter, but they did manage to catch my ears a few times. They aren't a band I know that well and I don't think that I am even going to be coming home and checking them out that much, but they provided the exact kind of pleasant background music one would want as they sat on a dusty hill and awaited a band they wanted to see more. They are who I thought they were.

5.5 Beers (I have very little to add here)
 Dr. Dog
4:45 - I saw these guys about a year ago and came away a full fledged fanboy. Knowing that I was going to get a chance to see them again was one of many key factors in helping to get me to this festival. The sun was as bad as it was for any set all weekend and without the foresight of Tenderoni's gallon of water purchase, there is a good chance we go home with at least one less member following their tunes. Speaking of tunes, everything sounded wonderous. They opened with my favorite track and managed to make a few more vie for pole position after I got to hear them live. The only mistake they made was stretching out a spacey jam in the middle WAY too long and losing a large section of the crowd's attention. Not to say that couldn't work in a smaller, club setting, but for where they were and the audience they had, it was the wrong move. They rebounded nicely to close out their set but much like Built to Spill before them, they could have had a truly special collection if they have just taken out the long and weird and filled it with a few more familiar and fun. 

8.1 Beers (would have been closer to 9 without the long lost jam of time)
     Minus the Bear
  1. Menos el Oso
  2. Others
7:45 - After taking a rather lengthy dinner break and hearing Panda Bear while getting some coffee, I thought that I might have hit my tiredness breaking point. A long weekend of drinking and sun was finally catching up with me and as the crew and I leaned our backs against the stanchion by the stage waiting for Minus the Bear to come on I began to worry a little. I knew I was going to hear them play my favorite album front to back, but hadn't they just parted ways with their drummer, a hugely key part to their sound? And what if I was just too tired to get my energy up to enjoy what was certainly one of the main reasons I was excited to be in the ATL? Within the first few notes of "The Game Needed Me", all my concerns were put aside. The replacement drummer was totally on point, the band sounded fantastic and hearing everything in sequence off an absolutely monster album in my cadre did everything to lift my spirits and energy level to the exact place it needed to be. On top of that they came out for an encore and did a few more tunes, including 2 beasts off of my other favorite album of theirs. On top of everything else, we got to stand 2nd row, making the experience that much more enjoyable.

9.4 Beers (minus the bears, plus the beers)


Tame Impala


Tame Impala
  1. Encore:
9:00 - Closing out this wondrous run was the Australian lads without shoes. Rocking a combination of Pink Floyd and about 30 other bands, they brought the event to an end with a really solid, trippy, mind melty collection of extraterrestrial jams. I didn't know their work all that well before hearing them live, but they put on the exact kind of late night show you want when the sun goes down and the alcohol goes up. The crowd seemed to really be into it and the band even came back out for an "unplanned" encore which in reality seemed sincere. I was almost hitting the point of pure exhaustion before they finally played their last note, but that would be about my only complaint. Since getting home I've gone back and spent a great deal more time listening to their work and I think that will be business as usual from here on out.

7.8 Beers (give me another year to digest and understand them and this is on the rise)



Shaky Knees did great things. The festival itself was truly perfect. Being someone who has been lucky enough to go to Coachella, Lollapalooza, Hopscotch and a few other, smaller ones, the organizers did an absolutely incredible job of making it seem like it was huge and small at the same time. I never had to be far away from a band, unless I chose to be. The acts were spaced beautifully and having two sets of parallel stages led to almost zero lag time between acts. The lines were never long for beverage or restroom and the crowd was as chill as I have ever seen. Even though everyone was drinking and carrying about like normal I didn't see a single altercation, fight, arrest or puke. That's remarkable considering most weekends you can't make it out of one bar without seeing all 4 of those. Kudos to all involved. Our only concern is something Luka brought up; what if this year was the tipping point? There is no way they can keep this hidden if the product keeps being this good. It's bound to explode and then turn into the corporate mess that others have become. I certainly hope this doesn't happen, but if it does, I'll be happy to tell my grandchildren that I was there at the apex. 



ShakySecondhandKnees

Luka Tenderoni drops by with a spicy meatball...

I went to a three day music festival in my 30s.  It was fun and this is the running journal I wrote afterwards...


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So far, everything about planning this trip has swayed between questionable decisions and borderline nightmares.  


Waiting for airfare to drop seemed smart until the company selling my plane tickets tried to railroad me. Here I was trying to find a cheap deal through Priceline’s nonrefundable name your own price option (a deal with the devil that I soon found out was one of the internet's most notoriously hard binds to break), only to realize after misreading fine print that my original flight times had me missing all of the first day.  So, there was that.  Luckily, I avoided having to eat a full price ticket and rebooking by playing the customer service game for 2 days, and boy was it a tense 2 days.  I was already having second thoughts about how I underestimated the overall cost of this trip - when in the blink of an eye I almost had to fork over a grand for airfare.  Having escaped that fiasco by the skin of my ass, and only really losing about 40 bucks in the rebooking process, it seemed my trips course had been righted.  (If you’re interested in beating the system - here’s the trick: call to complain, they will tell you basically to eat your own shit, ask to speak to Julio’s manager anyway, then tell them you put the wrong dates in - wala, ticket canceled, and almost fully-refunded if you buy new tickets through priceline with slightly different dates. Now ya know.)  


I got you Shatner, you smug motherfucker


I mentioned to my wife that I was an idiot for planning to attend a festival that was scheduled for Mother’s day weekend because that was clearly the factor driving plane ticket prices through the roof (or not, I don’t know, no one knows how that works), only to have my wife inform me I had already RSVPed to a friend’s wedding. Dammit, I suck at this.  And it gets worse.  A week before my flight, I get a frantic call from my compadre informing me our AirBnB reservation (some crazy new age hotel-work around that young hip people supposedly use) has been canceled and now that there is only a week until showtime, all these hip-Atlanta renta-pads are all booked solid.  So that's cool.  We take a day’s worth of emails to hash out new digs between the 6 of us when remarkably, and suspiciously, the overall cost for our lodgings drops... like a lot, like through the floor.  We're each going to save $100, which seems odd. Flying out on Thursday means making the Mother's Day rounds early that Wednesday, only to show up at my parents house, on my Dad’s birthday with only Mother's Day flowers in hand, having confused my days again... holy shit-tits I suck at this.  



Work on Thursday sucked, no news there. I woke up extra early, got into work early, left early.  During work I made the mistake of looking up where the most dangerous neighborhoods in Atlanta were... Why is this hotel so cheap again?

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Apparently the Bluff is a little rough around the edges

Fast forward to my flight to Charlotte... It's so god damn hot in this airport - but what's this, a dog! Solid 2 year old therapy beagle named Karma came by to kill time at my gate.  This had me missing my own guy (read: sweet ass dog or male escort, you pick) back home - the wife was sending me pictures of him loving life, and then when boarding got announced - holy shit it's Stephon Gilmore?! I wasn’t wearing any Bills stuff yet (I’ve got plenty packed for the ATL), having come directly from work... so I decided not to say anything, and just took a suuuuper shitty creeper picture of him from the back of the plane... Go Bills!

The Charlotte airport is nice.  It was lonely traveling solo, and people were being dickholes about the charging stations/wall outlets. My window seat was rendered useless when the asshole two seats over needed to to close the shutter because he couldn't read his newspaper for the 3rd time today with the glare In his eyes.  Whatever bro. Flight got in @ 11:40... My buddy, Weekend Dad, was there to pick me up in the mini city that is the ATLanta airport, and it's nothing short of a small miracle that I can both locate my checked luggage and connect with him for a pickup. We got beer for the weekend at a gas station in the dark, there’s some sketchy guy hanging out outside. I'm over tired and on edge already, my group has had a day to get situated, I have no idea what to expect at our super discounted hotel... and holy mother of crack-dens, this place is in rough shape.  It worked out well for the weekend, but one room had AC and mold, the other was mold free but cooking at a ripe 120 degrees fahrenheit because the ACs broke. Plus NBC is only showing us a frozen screen from a hockey game that happened weeks prior, but at least I’m slated for the cooler room.  Atlanta is stupid hot.  Three dudes made short time of turning the A/C-less room into the world's largest Dutch oven via a brisk morning scout/jog.  If you don’t already know, you get really smelly and sweaty at a multi-day summer festival like this, but this room hit max stink before we even got our initial wristbands.   Turned out we missed a crazy last minute Derek Rose buzzer beater that night...


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SO - about the actual festival..

Day one.  We needed supplies... Luckily the gas station had bananas.  The young guns see their first taste of old man wisdom when we buy a full gallon of water.  There's a massive statue of a buffalo, and it's packing heat - it's decided we need to molest it at some point in the weekend, but that plan never proves never to come to fruition.  Chipotle for breakfast/lunch, and I guess we start drinking? Why not, this is how we would roll 10 years ago.  One of the young guys were hanging with has elected to wear jeans - a bold choice to say the least for our 85 degree day in the sun. We grab 2 ubers to shuttle us to the venue - which is my first time ubering and all I can think is, how in the hell does this service work? No tips, money never exchanges hands, and the cars we get picked up in are crazy nice...it’s very cool to say the least. I was starting to feel like maybe things were turning around, and just maybe I was done sifting through regrets and getting blindsided by bullshit.  The driver was a nice dude, easy to talk to, par for the course with the uber experience I'm told.  We arrived, got in line in the already murderously scorching noonday sun, saw a giant thing (?) that ended up being an 11ft man-driven Zeus costume only to realize I had selected the e-ticket option and couldn’t remember my ticketmaster info, the kind of mistake that you just know is going to turn into an overstressed shitshow.  I tried the "forgot my password" routine which almost seems like it should replace the standard login process, guessed the wrong credit card number and wala, my account was frozen for 24 fucking hours. I've opened the door to customer service hell. Trying to access internet links, logins, and temporary passwords while simultaneously being on a call is actually physically impossible on my old iPhone and I decided my best bet was to try something shifty.  When I had initially purchased the ticket to this venue forever ago, I excitedly took a screenshot of my computer with my phone, because I'm old enough to only kind of know how to leverage technology correctly (the pro-tip here is that you shouldn't have to ever really take a God Damn picture of a computer with a phone - but whatever. I know what a screen shot is. It just so happens I’m pretty lazy) but I DID have a pretty decent picture of my ticket. By this time I was already separated from my group...a feat that took under 0 seconds, thank you Ticketmaster. I showed it, they scanned it, nothing.  Rescan it, nothing... can you imagine if after all of this fucking rigamarole and run around I still end up missing the first day? Is that like the bizarro-world version of serendipity? Why wouldn't this happen?  All of these issues were 100% user error stupidity on my own part...and then that sweet sweet motherfucker chimes.  It worked! I'm in. Time to go let the food trucks and beer vendors have their way with my wallet while the Atlanta sun beats me into submission for the next three days.

First band we saw was Surfer Blood. The music was great, our spot in the crowd was great, the double of jack on ice I got undercharged for was great, and the Atlanta sun was a miserable unholy God Damn succubus.  "What a nice day," I thought to myself and then immediately became drenched in sweat.  


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(approximation)


Mac Demarco poked out from the crowd to take pictures with fans.  Friday ended up basically being all about him in various ways. The set was decent, and then we traversed on to Black Pistol Fire, (some guy has a remarkably obscure yet amazing t-shirt of a silhouette of the Georgia State men's basketball coach falling out of his rollie-chair that he ended up in after he blew his achilles celebrating their March Madness birth, and then preceded to over celebrate their round 1 upset.) different stage, awesome tunes, brutal pavement.  The following time slot had nothing anyone was interested in so we dicked around at the Dos Equis bar and one of our young guns earned himself VIP passes through some shoulder bucket challenge after watching a lesser version of Ryan Fitzpatrick get emasculated by being given a do-over (seriously guy?) 
Afterwards we went to see a band called Tennis.  I'm brand new to these guys, but the shaded pavilion there playing in mades them a must.  Plenty of shade ended up also including an over abundance of sideboob. Two very big thumbs up there.  The music was good, but if I'm being 100% honest I would have enjoyed her banging a gong and making wookie noises for an hour.  Our next set was a short walk to the fourth of five possible stages, and it was to see the band Wavves.  Out of our two young cohorts, only 50% was ready for what was about to happen.  The singer looked like a dick (turned out he is), eventually their set started, and the sea of youth began beating the crap out each other. I dug the intensity, but it turned out to be a little much for the majority of our group.  Big props to the guy crowd surfing while simultaneously absolutely nailing the high hat air drum beats.  Holy mother of ball bags was it hot out. Mac Demarco was next, and he was close, and everyone was pretty excited for it (including Demarco himself it seemed) but we made the adult decision to not all die on our first of three days, and watched from a little ways out in the Dos Equis bar.  Props to a random Californication cover and Demarco bassist (I think) just playing Coldplay's "Yellow" because..... why not, and also to the band singing happy birthday to their tech guy.  Did I mention it was the drummer AND tech guys’ birthdays in Tennis as well? Does that seem suspicious to anyone else, or am I just an asshole? 
Some dinner decisions were made, food trucks held us all upside down and shook us until there wasn't any more change in our pockets, our group splintered, and I ended up at Manchester Orchestra at the main stage.  Thanks to the efficiency of food truck lines - I missed about 60% of the set, but these guys rocked the main stage pretty well. I left on my own a little early to catch what might have been the set I'd been anticipating the most this entire weekend... As I approached the very toasty Death From Above 1979 stage, I could hear the Kaiser Chiefs covering The Who - which I feel like more bands should do because it always plays well to a large crowd because if you don't like The Who you can go fuck yourself. I waited for two of my friends (the same two who felt Wavves was a little too aggressive for their taste) to meet me for Death From Above and...talk about whiskey dick.  These guys were terrible.  Pace was faster than the already fast album tempos, the drummer and bassist seemed to need to sound check between each song, and the only real positives I ended up getting were a little Freddy Mercury impersonation, and the world's greatest joke: Q: How do you turn a duck into a soul singer? A: Put it in the oven until it's Bill Withers.  The crowd didn't like it, but I'll be telling it every time I get drunk for the next 6 months. Other than that, I was back to regretting my decisions in attending this event.  There was plenty more on the way, but there was potential that everything I came to jam to would end up like this, not to mention I skipped Mountain Goats AND T.V. On The Radio for this...both of which would have been super enjoyable.  
 Next, after a pitch, we head to see the band American Football.  There's a cool story behind how they came back from oblivion for their fans, but having never heard them before it didn't really do it for my one friend and I, so we decided to see what kind of destruction the band Mastodon was doing to the main stage, and we did so from a considerable distance.  Giant mosh pits swirled like people are trying to actively open pits to various hells we could never imagine, and these guys killed it. Afterwards, as night was falling, the Pixies went on, Frank fucked a song up, they did some new stuff - but it was unreal just that I get to see this happen.  Huge check on my bucket list.  Almost single handedly made up for that DFA1979 trainwreck.  Last show of the night was the Strokes and it was amazing from top to bottom. Hands down the best act of the weekend.  Biggest crowd with the most pop.  Julian nonchalantly trotted around stage, acting a like a jerk while the rest of the band casually ignored him.  He minimally gargled banter at the crowd that seemed like it was part of the how-to-be-a-rock-star training manual and the crowd ate it up.  It was almost like it was all pre-planned but really who gives that much of a shit, it worked, and the rest of the band did their thing. They were tight, the production was on point and it seemed the Strokes had saved my sanity by playing one of the best rock concerts I've been to in decades.  (Props to the event planner who booked the Pixies to play right before these guys - have you heard "Where Is My Mind?"? Ok. Have you heard "Is This It?" ....It seems like we've found the source material Mr. Casablancas. Not really, but the similar sounding intros to different songs is still pretty cool.)

We went home, we got one uber that fit 4 people for 6 people, because math is hard, and 2 unlucky friends got to hoof it home on foot.  I'd been up since 4am and I was so freaking tired I just went to sleep while people were still hanging out in the room.  Turned out we missed a Paul Pierce last second buzzer beater.


Reporter: “Did you call bank?”
Truth: “No, I called game.”



When day two started we realized we needed to rethink some things.  Turned out, anti-chaffing baby powder was going to be more of a necessity than a luxury for my buddies, and I decided I could use some Tylenol and sunscreen because I get it, I'm one of the older people at this concert.  We got breakfast at some crazy place. It was delicious, the place was awesome, it was my first coffee in over 24 hours, things were looking up. I purchased Smirnoff Ice instead of beer because it was like 90 degrees outside and I was going to end up drinking beer for approximately 10 hours anyway.  I got shit for it, deservedly I suppose, but maybe my genius just isn't recognizable.  My older friend and I decided to see what all the fuss is about and joined Snapchat.  It took us each about a day and half to get the hang of it (you crazy kids, here comes some screen shots of a guy who can't work his phone) the morning had some bands we either didn't know or didn't care enough about to see so the couple hours out of the sun was nice.



First band up was Real Estate.  Nothing wrong with these guys, but we were back at day one - same spot - same brutal sun - same immediate drench of sweat. Afterwards we checked out Devil Makes Three on the hill - and it was definitely white people music, but that works for me.  We left a little early to set up shop for Built to Spill.  With the sun being as relentless as it was, I decided to hang on the hill and enjoy this one sitting down.  It was still too hot to be a live human being outdoors - but Built to Spill turned my brain into the tastiest bowl of figgy pudding you've ever come across.  After my mind had finished delightfully melting out of my ears, these guys closed their set with Joyride and a freaking Blue Oyster Cult cover.  Brilliant.  I was looking forward to seeing what the fuss was about with Neutral Milk Hotel, but the size of a crowd they drew did not warrant me fighting to get close.  People in my group were hungry and weren't having any of what they were putting down anyways, oh well.  We got food back at the trucks.  We decided on pizza because there wasn’t a line and then paid whatever it is they wanted for it.  It's sucks because this is Georgia and I'm literally buying pizza out of a truck, but it beat being hungry.  
The next set up was Social Distortion but I made the decision to skip it for a better spot at Wilco.  So then there's this.  General admissions one major downfall is that you have no control over who or what is going to be around you. We get a really good spot but some jackweed popped up and started jabbering on about mobile cell phone towers and being Israeli and knowing someone in Japan and marketing and all in all doing a great job demonstrating that whatever chemicals he's ingested today are the ones really behind the wheel.  Sun went down, Jeff Tweedy and his boys did their thing...and the crowd did try their damnedest to get them to keep playing so we could all have a reason to not walk over to the Avett Brothers it seemed.  
Some of our group goes home after Wilco because who really cares about the Avett Bros, and 4 of us wander down to see what is definitely not my cup of tea. If an 18 year old me knew then what I know now, I probably would have stuck around shows like this.  Our buddy tried to pick up a random girl, which doesn't work out and we decided to go find a bar.  Well.  On the way, since we were hungry, the four of us in all our dirty smelly sweaty drunken disgustingness decided to stop at a very nice looking sit down Chinese restaurant.  I was kind of hoping more for like the Golden Arches or something low key but I can only work with what Atlanta is giving me here.  We got the poo poo on you treatment when we asked for booze, most likely because they're about to close and we must have smelled like what happens when Bigfoot wears a jockstrap.  
Onto the bar we went, and we literally just powered our way into the first one we saw because when one of the younger guys I'm with gets drunk, apparently he develops more inertia than his body has mass for...take that thermodynamics.  It was super clean, and there were some gay men having dinner at several tables, some ladies with fresh crew cuts, the DJ is blasting Blondie’s Heart of Glass, and we got stopped by a gentleman before getting to the bar.  We couldn’t hear what he was saying so we gave him our IDs to which he kindly responded, “I don't want y’all's IDs- I wanna dance.”  Our buddy made it to the bar and ordered a round for all of us before finally realizing we've meandered into a gay bar.  A pretty nice one at that.  I felt embarrassed about how bad we must smell more than anything, but we're not going to be rude- we’ll stay for a drink and then go elsewhere, unless the DJ starts playing Montell Jordan or something.... which he did.  The executive decision to commandeer the dance floor was made.... One of my friends was really nursing his beer and we ended up dancing to three songs before we eventually move on.   Sorry for the smell everyone - not sorry for blowing your minds with my sweet moves.   We stopped at the next bar we saw... blatantly ignoring some of the bawdiest tongue in cheek double entendre signs I've even seen in public and almost proceed to make the exact mistake twice.  It's turns out our hotel and the concert venue bookended a pretty predominantly gay neighborhood, or "gayborhood" as the Internet tells me...

In my head: Saturday night played out like this scene from Wayne’s World 2

I had fun, but it turns out we missed Lebron James hitting a game winning last second three that night.  (Would it be better or worse if I was making that up? I can’t tell)

Cavs Coach: “Lets have Lebron inbound in ball”
Lebron: “lol ur dumb”


day three.png

Last day.  We decided breakfast was more important and a better idea than the first three rounds of acts for Sunday and headed out to get food.  Turns out Mothers Day is kind of a rough Sunday to try an find a place to get brunch on a whim.  We end up getting Mexican for breakfast - which both sounds like a death metal band name and kind of makes you feel like your stomach is hosting a real small very niche offshoot of OzzFest.  Head back, clean off all the booze we've purchased and caught rides down.  No line meant I got a free Georgia state coach falling down shirt, score.  Sheepdogs set was so hot.  They're awesome, but I was kind of dying.  Mexican brunch wasn’t propping us up as well as eggs and coffee did the day previous. It was approximately 136 degrees Fahrenheit with exactly 0% cloud cover when the spray-on sunscreen I've applied began to..pill?..or curd?...or produce larvae? I don't know, I can just tell you it wasn't acting like it was supposed to. Sheepdogs covered Bob Seger.  Solid stuff.  The day was significantly easier going.  Schedule wasn't as packed, we were all getting a little worn down, so we spaced things, skipped a bunch... Dr dog was awesome, but the sun just would not freaking quit.  We headed over to the trucks - a line for BBQ followed by a line for iced coffee equated to me missing all of Panda Bear’s set, but at least I was fairly close to hear it.  We skipped Ryan Adams... who I read covered Danzig! (Damnit) to hang in shade and wait for Minus the Bear. The crowd really dug it, they were good, they played an album from front to back which is cool, but I've never given a crap about them prior so for me it was like hey, I get it.  (More bands should do the we’re gonna play our full ____ album angle b-tee-dubs.)  They worked the crowd well - made a joke about Missy Elliot.  We missed Ride... Who are apparently a big deal with the younger crowd I guess? But I don't regret my decision.  
Our one buddy started to reach max level hammered, and we go down to see the festival closer Tame Impala on the main stage. They were pretty good, but the crowd wasn't as jammed for a Sunday and perhaps it's due to the fact that a lot of their fans are in custody for title 1 narcotics offenses? I didn't mind having to keep an eye on our guy.  More than anything, I respect his dedication to partying.  This night we all walked home.  With one regrettable decision left in me, my roommates and I decided to get Chinese take out delivered at 2 in the morning.  It's probably the worst Chinese I've ever had, but A) I'm in Georgia and B) it's 2 in the morning. I wouldn't exactly say it didn't meet expectations.  I went to bed, woke up and had some bomb-ass faith-restoring chicken-and-waffles for breakfast at a diner outside Georgia Tech before my flight home.  


See this guy? I ate that guy and he was delicious.


We did not miss any buzzer beaters on Sunday.

Tuesday, January 20, 2015

Never Gonna Find it For Free Eh?

Twitter is simultaneously an insidiously gross window and fascinatingly insightful portal. I'm sure the same can be (and has been) said about most social media. Rarely has there been a time when fans can connect as easily with the bands they love and Twitter is an amazing conduit into the lives of those who make the music we devour. On the downside, through a series of hateful tweets, you might come to learn that the lead singer has horrifyingly opposite political beliefs than you, and shares them in a regular, ugly fashion. On the other hand though, you and four friends might end up in a 20 minute conversation with a red 'fro-ed keyboardist, waxing 140 character soliloquies on topics ranging from Shel Silverstein's finest work to him attempting to convince us all to come to Mountain Jam. Everyone I talk to has had some sort of similar experience with a band or quote-unquote "famous" person. It helps to humanize them, connect them to us and more than likely, with a positive interaction, increase the likelihood that they have made a fan for life.

Twitter also has become the place I find out the majority of my music news. As a result, this is how I ended up finding out that in mid December Blitzen Trapper, one of my favorite bands, released a new free album, Live in Portland as a Christmas gift to me/everyone, because they knew I/we had tried growing a beard (or so I would imagine the thought process went). This is also how you end up playing the album on repeat for the entire holiday season as your family silently wonders if you own any other music.

Awesomely, the curly fro is STILL red, even in black and white.
Recently, I was reading an interview about the release with Eric Earley, the lead the singer. He expounded on many topics, encompassing thoughts on why the live cuts may sound so different from the album versions to why the album was released for free. As a fan of live music, I certainly appreciate bands that can replicate their sound live, but how can you possibly not enjoy a new, unique live interpretation? This collection showcases exactly how three white boys from NC can end up sweating profusely as they AWBD (awkward white-boy dance) in a converted textile warehouse on the banks of the Haw River. The songs have more edge, funk and grime and that's not to take anything away from the studio work. They just come across as everything gritty you would want to experience while hopefully drinking moonshine in the back of a pickup truck careening down a mountain pass (preferably out of a jar, through your teeth). This is why people go see live music.  There is no way you are going to their show and leave disappointed. And while the band did a great job picking a killer performance, credit needs to be given to those that recorded and mixed the final work as it delivers sonically on every level.

As for the music itself, it leans heavily on no one album and brings a joyous potpourri of tracks new and old. It kicks off with a raw, exposed to the bone version of "Fletcher". From the get-go, it's clear, the teeth are going to bite a little sharper and from there it's one highlight after another. "Astronaut" reminds me with it's beauty why my good friend put his son to sleep to it for 6 solid months. "Thirsty Man" gets my one year old dancing funkier than his AWBD blooded father and while I love Mr. Earley (oh so much), "Jericho" only serves to solidify in me the notion that the Marquis de Sade should be thrown a vocal bone or two every now and again. Speaking of different singers, guest vocalist Liz Vice hops on stage to deliver enough soulful church gospel to inspire a Southern Baptist in "Shine On" while crowd favorite "Black River Killer" is an awesome reminder of what would happen if Dr. Dre and Tom Petty met in a blender.

From there it's one country-folk-rock-blues-jam after another. The band brings the sensuous soul on "Lady On the Water" and "Not Your Lover" while accessing the southern rock cadre in an updated format with "American Goldwing", "God and the Suicide" and "Might Find it Cheap". The fun carnival ride of "Sleepytime in the Western World" is on full display in the live setting and it delivers in a way that would make Seargent Pepper himself proud. Plus, as an added bonus when you download, instead of just jamming out on the Bandcamp site like I did the first three times, you end up with a spaced out 13 minute version of "Street Fighting Sun". Even the bonuses have bonuses.


It always feels nice to be appreciated. As a fan, that's how the Trapper makes you feel. Consistently top notch studio content, an absolutely killer live show and a relentless touring schedule combined with a willingness to talk to the fans before/after the show all provide a level of connection that doesn't seem feasible with most larger bands. Their label told them they couldn't put this record out because it was going to be too close to the new album (nice!) they are working on this year. So what did they do? Put it out for free/name your own price. That's going to breed loyalty, as it should. These guys are at the top of their game and they're giving away some of their finest work. Disagree? Drop em' a line @BlitzenTrapper and they'll probably write you back to change your mind.

Check out the free live album here:

https://blitzentrapper.bandcamp.com/album/live-in-portland

And if you're feeling sexy/generous, throw them a few dollars and let them know how much you appreciate them.