For Christmas, my mother gave me a DVD version of an old home movie. Filmed over the course of two weeks when I was an ultra-exuberant four year old, it's a fascinating familial time capsule, mostly for reasons that aren't applicable here. However, there are two segments that contain my father filming me as I writhe/dance around the room. The first is Michael Jackson's "The Way You Make Me Feel" and the second Dire Straits' "Walk of Life". It's a slice of late 80s life, showing what he was listening to in 1988 (thank Odin it wasn't Ratt), how he influenced me (both artists are still huge for me), and how important music/his music room was in his life (he has a reel-to-reel (!!) prominently displayed in his music set up). For the next 25 or so years we shared music in that same way, me foolishly bumbling about, him steadily guiding my tastes back to what was right.
He always shared with me from the minute music could make it's way into my ears. I can pinpoint at least twenty songs that I remember hearing with him first time as a young boy, always on his killer system. Playing it in the wrong setting or on the wrong system was a waste of time. He would bring me down into his crazy music room, turn down the lights and blast my prepubescent ears off with whatever thrilled him. I'm not sure I always got it, and I just assumed that everyone's dad wanted them to hear the Spin Doctors "Little Miss Can't Be Wrong" at neighbor-rattling levels, but it was cool. All I knew was, I wanted to return the favor.
There was rarely a prouder moment for me than when I could bring something home to share with HIM. Due to the basic restrictions of youth, I didn't really have the chance to do this until I struck out on my own, went to college and started coming home with burned CDs. Sharing and getting the nod of approval from my friends was a big deal, but bringing something to him was akin to Indy picking the correct Holy Grail. I found a few of said CDs recently and well, those first few times were pretty rough. Thankfully, I got better at it. Whether it was the refinement of my taste, me being more attuned to what he was going to like or a combination of many things, it got to the point where I knew immediately if it was going to pass the test.
Looking back, what amazes me the most is that he never, ever, not even once, criticized anything I brought him (and I brought him some real rubbish). Over time, I learned to decipher his code though. The more artists he cited as derivational influences, the more he was just placating me, patiently waiting for the next song on my queue. However, the more specifics he mentioned about the musicianship/vocals, the more he dug it. Every now and again, I'll be damned if I don't find myself doing the same thing now when I listen to newly recommended music.
That brings us around to Bahamas is Afie. It was one of those albums (like countless others) where my first thought was to send it to him. In fact, I was a mere three tracks in, driving to the store with my wife when I went to Amazon on my phone, immediately shipping him a copy. Upon it's arrival, my sister was serving the role of his DJ at this point in his life and she cued it up. I didn't have the pleasure of experiencing it with him that first time, but I already knew. The man who taught me how to love music had already molded me and my tastes in a way where there was no way he could be let down. Though he had lost the ability to communicate verbally, my suspicions were none the less solidified when I got a text from my sister saying he wanted to hear it again. This was the ultimate level of acceptance. Play it again.
Normally these entries are more focused on the music itself, and this album brings that in spades. It's bathed in gorgeous melodies, soothing strings and subtle guitar flourishes. It has all the harmonies, flawless production and easygoing Canadian demeanor that any album could want. But the lyrical content is what really stands out. Figuring out the complexities of time, loss and balancing all the world throws at you are fairly common ground for musicians. But this collection of ruminations struck a chord that I know resonates throughout my bloodline. My sleeping son awoke just now, literally bobbing his head fresh out of slumber, the minute "All the Time" came on. Eating a rice puff concoction a few moments later he relentlessly shuffled his feet to "Little Record Girl". This will forever be that album.
The way life goes meant this was the last album we ever "shared". It will resonate with me the same way those aforementioned songs did long ago when my dad played them for me the first time. It's worth listening to for a variety of reasons, a few of which were mentioned above. But in the end, the gift it gives me is the same gift my father was able to imbue in me; a love and appreciation for an art form rivaled by no other. It goes without saying how deeply I will miss my dad. Thankfully he will forever live on in music like this. Play it again.
Tuesday, December 30, 2014
Monday, December 29, 2014
Shaffer: 2014 Trimmed Down
Merry Christmas to all! A quick note on my thinking:
I agree with MuZack and HoboKeith that The Basement Tapes was the best overall release but I'm leaving that out. I chose to only stick with new albums for my list in the interest of highlighting newly written and recorded music. That Guardians of the Galaxy soundtrack was awesome, too. I enjoyed the Cloud Nothings, Woods and The Men albums and had a hard time deciding between those three and Real Estate for tenth. Ultimately, I went Real Estate although if I wrote this list another day I may have picked a different one. They were all pretty good but I can't see myself listening to any of the four I just mentioned on any sort of a regular basis in the future. The other nine, however, were all pretty awesome and I fully enjoyed getting into each of them at various times of the year. Ok, enough of that and on to my list:
10. Real Estate - Atlas
Since I get to listen to music for around 75% of my work day, I get to listen to anything I'm even remotely interested in so that's basically the only reason I grabbed this and gave it a whirl. It grew on me after a few listens. I liked it enough at work to give it a shot at home on my own time and if you're in the right mood it works nicely. Pretty mellow, chill, jangly vibe throughout that eventually made a lot of the album blend together. "Had to Hear", "Past Lives" and "Primitive" were highlights for me.
9. Weezer - Everything Will Be Alright In The End
Go ahead and laugh but I honestly enjoyed this album. The lyrics are pretty atrocious for most of it but the music is great and the songs are well written. Most of it is pretty catchy, faux-vintage sounding Weezer. I like these guys quite a bit and it's nice to hear they can still put out a good album. After Raditude and Hurley I gave up hope and almost didn't bother downloading this but thankfully I did and it ended up being one of the better surprises this year for me (unlike the extreme disappointment that was the Julian Casablancas/Voids release).
8. Ryan Adams - Ryan Adams
It's good to see Ryan Adams is back with another good album. I tend to like most of what this guy puts out so if you like Ryan Adams generally, I'd say you'd probably like this album. This one has more of a late 70's/80's Tom Petty radio vibe in general, which I'm totally digging. "I Just Might" just might be one of the best songs he's written in quite a while. I love how he channels that dark, Bruce Springsteen feeling of helpless desperation in the (kinda) laughable lyrics. The lyrics are kinda laughable in the same way that they usually are, in the same way that the album cover is laughable. I mean, come on dude, do we need that extreme, brooding close up with your messy hair covering your face up?
7. Black Lips - Underneath The Rainbow
This one was good, not as good as I was hoping for but few albums usually are. More of what I like from these guys, sloppy 60's garage rock. As the Hobo mentioned, horrible lyrics here and there. One thing worth mentioning, if you're going to get this album, make sure to seek out the alternate version of "Funny". Not only is the alternate better than the album cut but it's better than any of the songs on the album...in my opinion, that is.
6. The War On Drugs - Lost In The Dream
I only REALLY liked the first song when I first listened to the album and thought the rest was a bit dull. But then again, I was listening at work. When I got around to throwing this on in the car, or at home, I got a chance to absorb these songs and realized they're fucking awesome. "Burning" ended up being probably one of my favorite songs of the whole year. It sounds like it could have been on the radio right next to anything on "Born in the USA" back in the 80's in the best possible way. The production on the album, and overall sound, is a bit similar to the Ryan Adams album. The songs are typically pretty long (5+ minutes for most) but don't feel that long when you're in them. I'd recommend this one to most people. I am almost ashamed of myself for pretty much refusing to listen to it because of how much Pitchfork was blowing it. They just happen to have a habit of hyping up bad shit but sometimes they DO manage to give a good album due credit.
5. Brian Jonestown Massacre - Revelation
Good one by these guys. If you're into what they do, go for it. If not, don't worry about it. This is better than the last few they put out and sounds like Anton has found a way to blend what he was doing in the 90's to the last few albums he's been writing.
4. Foxygen - ...And Star Power
Meh...if I took away points for bad songs this album would be off the list but thankfully I like a full album's worth of material out of the 2 1/2 album length. I whittled this down to a 12 song play list that runs around 40 minutes and it comes out sounding like a good Foxygen album. I still like the first two better, with Take the Kids Off Broadway being my favorite but this one is still awesome at times. That Star Power medley is just great and "How Can You Really" was so awesome it got me into Todd Rundgren.
3. Ty Segall - Manipulator
Thanks IronFishballs! I saw a review of this album that intrigued me and then saw something about how he "killed" on a late night show. Watched the late night performance and was NOT impressed. Checked out his discography and saw 3 albums a year over the last 6 years...fuck this guy. Then El Fishlantern randomly recommended it to me a few months later so I figured I'd give it a whirl. It's hard to describe why I like this album so much so I'll just say the songs are well written (mostly), there are only like 4 songs I'm not a huge fan of, out of 17 and it's very guitar heavy. Not heavy guitars but guitar all over. Crazy fast strumming, solos and such added with a glam vibe that reminds me of Bowie at times and really works for me.
2. Spoon - They Want My Soul
Great album, one of my favorites by these guys. Right up there with Kill The Moonlight and Gagagagagagagagagagaga in my book. I could see a bunch of these songs ending up on the radio. Maybe they are on the radio but I don't know because I'm too busy trying to listen to the 10 new albums I download a day while I'm driving around. There's not a single song on here that I don't like. If I had to pick a song that is a bit weaker than the others, I'd go with "Inside Out"or "Rent I Pay", which just happen to be the first two songs on the album. The title track, "Do You" and "Rainy Taxi" are my favorites here. Did want to add that I'm a bit surprised TheLantern snubbed this one, considering you're a Spoon fan and all, dude. Not even an honorable mention, what the fuck? (Fishlantern/Editors note: This has been remedied in my updated list. You were absolutely right. I done messed up...)
1. Liars - Mess
I didn't mention this one to most of you guys because I highly doubted it would be your cup of tea. These guys seem to get better with each album they put out. Worth noting is that they change their style a bit on each album. I grabbed this one and when a song off it came up on shuffle I couldn't imagine what the fuck my phone was playing but it couldn't have been something I had put on there to listen to. After I got over the initial shock of what direction these guys had gone (from guitars on the last album I heard by them from 2010 to this electronic, industrial madness), I realized this was some of the best music they've written yet. I was only into the first half of the album until I caught them live earlier this year. After that it was all over for the other albums in contention for my top spot.
MuZack from the Future (2014)
The work of MuZack is quick and to the point. But, the man knows how to deliver everything you need to know in that short time. Strap in and here we go...
10 – Thom Yorke – Tomorrow’s Modern Boxes
It was a pleasant surprise to see this album drop with no announcement. Listening straight through was a pleasure the first time, but only 1 or 2 tracks warrant repeat listens. “The Mother Lode” is amazing.
9 – The Ghost Of A Saber Tooth Tiger – Midnight Sun
Was not aware of this band until I saw they were opening for Beck. This is Sean Lennon’s band and I was surprised by how this album sounded and curious to how it would sound live. Was not disappointed seeing them live.
8 – Black Keys – Turn Blue
This was a rough year to make a list for me. I found 10 albums, but it was a struggle. I liked this when it first came out, but haven’t listened in a while. Is it my 8th favorite album this year? Probably not. But, I believe I can put it on my list with minimal regret.
7 – Damon Albarn – Everyday Robots
The Blur frontman puts out a solo album that is nothing like he has ever released before. Not in love with it, but I don’t hate it either.
6 – Beck – Morning Phase
Basically “Sea Change: Volume 2” this album is nothing groundbreaking for Beck. Some very good songs on here and some very boring, unnecessary ones. “Wave” is amazing.
5 – The Horrors – Luminous
I’ve liked this band since 2009’s “Primary Colors” and then they dramatically shifted their sound. This album is soaked in synths and has a goth feel to it. Very well done in my opinion, will be interesting to see where they go next.
4 – Brian Jonestown Massacre – Revelation
This is where it gets hard. The top 4 albums for me were the ones I recall listening to the most. It’s very refreshing to be able to download any Jonestown record they put out and not have the slightest bit of regret. So much good stuff on here and it goes everywhere. Love this band.
3 – Foxygen - …and Star Power
Didn’t know what to make of it on first couple of listens. I loved some tracks, while others could be immediately skipped. Then, upon repeat listens, I needed all of it. Their intention was to break down this double album into 4 different sections. Something very unique, and somewhat unheard of from current bands. Seeing them live was a treat, until I was thrown out of the building for smoking some pot.
2 – Liars – Mess
Awesome. I love this shit. If you’re not into it by the end of track 2, turn it off. There is nothing here for you.
1 - Bob Dylan's The Basement Tapes Complete: The Bootleg Series Vol. 11
This is it. Complete. In its entirety. No doubt the best release of the year.
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